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Martin Kemp is Emeritus Research Professor in the History of Art at Oxford University. He has written and broadcast extensively on imagery in art and science from the Renaissance to the present day. He speaks on issues of visualisation and lateral thinking to a wide range of audiences. He has written several books about Leonardo da Vinci, and on imagery in the sciences of anatomy, natural history and optics, including The Science of Art: Optical Themes in Western Art from Brunelleschi to Seurat.
He was trained in Natural Sciences and Art History at Cambridge University and the Courtauld Institute of Art, University of London. He was British Academy Wolfson Research Professor (1993-98). For more than 25 years he was based in Scotland (University of Glasgow and University of St Andrews), and has held visiting posts in Princeton, New York, North Carolina, Los Angeles and Montreal.
Martin has curated a series of exhibitions on Leonardo and other themes, including Spectacular Bodies at the Hayward Gallery in London, Leonardo da Vinci: Experience, Experiment, Design at the Victoria and Albert Museum in 2006 and Seduced: Sex and Art from Antiquity to Now, Barbican Art Gallery, London, 2007. He was also guest curator for Circa 1492 at the National Gallery of Art in Washington in 1992.
Christ to Coke: How image becomes icon Oxford University Press, 2011
Leonardo; revised edition Oxford University Press, 2011
La Bella Principessa Hodder and Stoughton, 2010
Seen Unseen: Art, science, and intuition from Leonardo to the Hubble telescope Oxford University Press, 2006
Visualizations: The Nature Book of Art and Science Oxford University Press, 2000
Leonardo da Vinci: The Marvellous Works of Nature and Man Oxford University Press, 1997
Behind the Picture: Art and Evidence in Italian Renaissance Yale University Press, 1997
The science of art : optical themes in Western art from Brunelleschi to Seurat Yale University Press, 1990
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